More of Quinn. I caught in such a model pose in the bottom left, lol. The outfit in the bottom right is Pastor’s Vestments. I got it off a named (and I forget the name) aggro human, who was up very high when he started shooting at Quinn, and thankfully he decided to fall allll the way to the ground when he died for maximum ease of looting.

Quinn has now successfully romanced all the lady companions.

isagrimorie:

winged-mammal:

randomthingsthatilike123:

 The pain Root felt when she thought she saw Shaw die has been discussed a lot so far. But the same cannot be said for Shaw’s reaction to seeing Root die in the simulation. Or should I say hearing-because this is Shaw. Shaw knows guns, knows the sound of one being fired better than she knows the sound of her father’s voice, at this point.

She knows something is a bit off with Root, with all that talk about a future together, because one thing about Root is that sure she flirts and she’s playful, but she never actually pushes, not really. She respects Shaw’s boundaries and always lets Shaw control the pace of their relationship, backing off if it gets to be too much.

And Root’s voice is a little bit shaky, trying a little too hard at seeming to be happy. She hears Root’s cries and the sound of gunfire-and this is Shaw, she very well could know simply by ear what Martine’s preferred firearm sounds like when it’s shot.

And look at Shaw‘s face. It just freezes. The self-proclaimed sociopath goes from seemingly indifferent to caring in a heartbeat. “Root?” she asks the first time, after hearing “That’s good enough for me,” a hail of bullets and the sounds of Root’s short, pain-filled groan.  Shaw’s voice is almost soft, filled with disbelief and fear, hoping against hope that she’s wrong, that what she heard wasn’t what she knows it to be, that Root will make some stupid flirty innuendo that she’s grown so fond of. 

And then the last “Root,” urgent and panicked and concerned, her fears confirmed but she will try one more time, but in her voice you can hear it. She doesn’t think Root is at all ok. And now, now Sameen truly knows what it means to feel fear.

You know what small thing about this scene has always fucked me up?

This, right before the simulation ends:

The Machine’s box for Shaw moves around a lot in this perspective shot. Those boxes move along with their subjects, and given that Shaw’s box covers basically the entire car, for the box to move as much as it does means that Shaw had to be moving around a lot. Every time I see it I get this mental image of Shaw thrashing around in anger and desperation, needing to get out of her cuffs and out of the car and get to Root.

And it kills me.

I was wondering if anyone would bring Shaw’s part up, and I’m glad fandom provided!

Because you know what? This? This is the saddest and darkest timeline.

Because not only does Shaw lose Root, she loses Harold, John, and Fusco.

She’s the only remaining survivor with the US economy down and only the Machine and Bear for allies.

Like it or not, but Shaw in Samaritan captivity was actually the best outcome for everyone, at least there was still hope that sometime in the future the Team would get Shaw back.

In this timeline? Shaw has no one.

mlamachine:

#ugly sobbing #i wonder how long root just sat there and held her in relief that shaw wasn’t dead #before mustering up the energy to take her to the turtle cave (via thismeansnothingtome)

       I don’t know the answer to that.  but I guaranfuckingtee you that the next thing that happened after the camera cut away.  was root stroking her hand along shaw’s forehead and hair.  ugly sobbing.  

To far too many drivers I saw on the road this morning:

Your car has lights (unless they are broken) that you can turn on to see better or make your car more visible to others.

When there is a ridiculous amount of fog, you should really turn those lights on.

That includes you, driver of the police or highway patrol car I met that did not have its lights on.

Sincerely,

A fellow motorist who complained about your life choices as she drove with her lights on