like

grim-dark:

sherlock holmes is a bully

he is an asshole

he is someone tremendously great who has never had to learn to give a shit about other human beings, who has learned that they are essentially lesser beings, who has learned that they don’t matter and that no one will stop him if he throws them aside like toys

he is an asshole

and he has always been too smart and too tremendous for anyone to control him

even watson; watson is usually written as a foil, someone just as in awe of sherlock as everyone else, but who ultimately — and grudgingly, from sherlock’s end — earns his respect as a companion and as a human.

if they are throwing that aside to, instead, have a watson who says “fuck you, sit down,” because she is not going to put up with that shit, to tolerate the abuse of the people around her because a little boy thinks she’s special, to assert her own dominion over her surroundings because she is as strong as he is — that is fantastic and one of the most interesting retellings of holmes since scully.

I really do hope there are a lot more of those, “Holmes, STOP, this is not how you treat people” moments. Because Miller’s Holmes seems like he might actually get to the point where he could be somewhat taught that people are, you know, people, not just puzzles.

Miller’s Holmes seems, at least to me, less…malicious…than Cumberbatch’s, which makes me think there is some hope for Joan Watson to educate him in the ways of regular people. The scene about the choking seemed more like someone who legit has no clue that what they’re doing is creepy and disturbing and scary and Not A Good Way to Go About It. Sherlock’s scene with, say, Molly at the Christmas thingum in “A Scandal in Belgravia,” however, is so full of “I’m better than you, you ridiculous, stupid female” that I wanted to beat Sherlock to death with his violin.

My complete collection of the Granada Sherlock Holmes should be here either today or tomorrow. This pleases me greatly, for I grew up watching it on PBS and A&E. It was a major component of my live-action TV watching.

This means at some point I may spam related things.

grim-dark:

kirkwallhellmouth replied to your post: “One college professor of English suggested Eliot was looking back to the “whimper” in the cradle in Bethlehem that signaled the end of the old world, the Pax Romana, and the coming of the new Christian age.”

…I am really glad I managed to escape having that kind of English prof.

omg they’re so bad

high school english man

THE WORST

LOL. In 11th grade AP English (with gloriously artsy and scatterbrained woman, so at least things were never dull) we briefly discussed impotence symbolism in Ethan Frome.

It was mainly funny because it weirded out/kind of horrified the German exchange student.

i am like really interested in hearing how people felt about diversity/representation in mass effect??

grim-dark:

like

in terms of the humans, obv

i am not in a gr8 place to assess this and i would love to hear what people thought about racial/ethnic/etc portrayals and representation and stuff

my impression was that there were a BUTTLOAD of white people but i also might not have been paying as close of attention as i could have! but i don’t want to run all over it if more informed/affected people disagree

idk!!!

Back sometime before ME3 came out, someone did a sort of visual survey (or…something) of human NPC diversity in ME1 and ME2 on the masseffect LJ comm. I have it…bookmarked somewhere, but my book marks are the most disorganized things ever, but if I manage to re-find it, I will link you.

How I Kind of Fell Out of Love with NCIS by Watching Early Seasons on DVD

Falling out of love started…either early this season or early last season (I forget which) when Tony started being an even bigger and less funny dick to Ziva than he usually has been.

And then we got seasons 1 and 2 on DVD. And something Tony says in one episode just…seriously, seriously bothered me.

When Ari held Kate hostage, she missed a chance to stab him with a scalpel because he grabbed her. There is only so much you can do with a scalpel when you have been grabbed and your opponent has a gun and could, as a trained assassin, probably manage to kill you or your friends before he succumbed to any scalpel wounds.

Afterward, Tony suggests that maybe, in the really short amount of time she was held hostage, developed Stockholm syndrome. The way he says this is so, so, SO full of really disgusting victim-blaming “you wanted it, didn’t you” tone that my jaw dropped.

And it’s been kind of hard to look at Tony sense then.